This work continues Davidson’s ongoing engagement with his photographic archive, reactivating materials developed over the last twenty years. Early cyanotypes, analogue film and digital photographs are transformed through processes of re-photographing, cutting and reconstruction. Strips of image are reassembled into abstract colour fields that evoke the atmospheric and ephemeral qualities of horizon, water and light, functioning less as depictions of landscape than as accumulations of time, memory and lived experience. The works become a visual record of Davidson’s enduring relationship with photography, renewing earlier materials while retaining traces of personal history and the medium’s continual transformation.

The accompanying sculptural work operates as a point of balance between interior and exterior worlds, grounding the exhibition within a physical and spatial encounter.