Using a single recording of analogue television static, You Showed Me the World, Which Wasn’t the World at All disperses a moving image throughout the gallery space. Suspended across multiple screens, the image fragments and unfolds as viewers move through the installation, while the exposed apparatus of cables, monitors and structural supports grounds the immaterial image within its physical infrastructure.

Neither fixed nor complete, the installation is continuously produced through the interaction between body, system and space. As viewers move throughout the work, they are invited to navigate a fragmented image field, generating a shifting experience with no singular or stable point of view. Analogue static becomes both material and environment, an electronic field shifting between signal and noise, immersion and displacement.